重建3D对象是重要的计算机视觉任务，在AR/VR中具有广泛的应用。为此任务开发的深度学习算法通常依赖于不切实际的合成数据集，例如shapenet和things3d。另一方面，现有的以对象为中心的数据集通常没有足够的注释来实现监督培训或可靠的评估。在此技术报告中，我们提出了一个以照片为中心的对象数据集HM3D-ABO。它是通过构成现实的室内场景和现实对象来构建的。对于每种配置，我们提供多视图RGB观测值，这是对象，地面真实深度图和对象掩码的水密网格模型。所提出的数据集也可用于诸如摄像头估计和新颖视图合成之类的任务。数据集生成代码在https://github.com/zhenpeiyang/hm3d-abo上发布。

我们介绍了日常桌面对象的998 3D型号的数据集及其847,000个现实世界RGB和深度图像。每个图像的相机姿势和对象姿势的准确注释都以半自动化方式执行，以促进将数据集用于多种3D应用程序，例如形状重建，对象姿势估计，形状检索等。3D重建由于缺乏适当的现实世界基准来完成该任务，并证明我们的数据集可以填补该空白。整个注释数据集以及注释工具和评估基线的源代码可在http://www.ocrtoc.org/3d-reconstruction.html上获得。

视觉感知任务通常需要大量的标记数据，包括3D姿势和图像空间分割掩码。创建此类培训数据集的过程可能很难或耗时，可以扩展到一般使用的功效。考虑对刚性对象的姿势估计的任务。在大型公共数据集中接受培训时，基于神经网络的深层方法表现出良好的性能。但是，将这些网络调整为其他新颖对象，或针对不同环境的现有模型进行微调，需要大量的时间投资才能产生新标记的实例。为此，我们提出了ProgressLabeller作为一种方法，以更有效地以可扩展的方式从彩色图像序列中生成大量的6D姿势训练数据。 ProgressLabeller还旨在支持透明或半透明的对象，以深度密集重建的先前方法将失败。我们通过快速创建一个超过1M样品的数据集来证明ProgressLabeller的有效性，我们将其微调一个最先进的姿势估计网络，以显着提高下游机器人的抓地力。 ProgressLabeller是https://github.com/huijiezh/progresslabeller的开放源代码。

我们的方法从单个RGB-D观察中研究了以对象为中心的3D理解的复杂任务。由于这是一个不适的问题，因此现有的方法在3D形状和6D姿势和尺寸估计中都遭受了遮挡的复杂多对象方案的尺寸估计。我们提出了Shapo，这是一种联合多对象检测的方法，3D纹理重建，6D对象姿势和尺寸估计。 Shapo的关键是一条单杆管道，可回归形状，外观和构成潜在的代码以及每个对象实例的口罩，然后以稀疏到密集的方式进一步完善。首先学到了一种新颖的剖面形状和前景数据库，以将对象嵌入各自的形状和外观空间中。我们还提出了一个基于OCTREE的新颖的可区分优化步骤，使我们能够以分析的方式进一步改善对象形状，姿势和外观。我们新颖的联合隐式纹理对象表示使我们能够准确地识别和重建新颖的看不见的对象，而无需访问其3D网格。通过广泛的实验，我们表明我们的方法在模拟的室内场景上进行了训练，可以准确地回归现实世界中新颖物体的形状，外观和姿势，并以最小的微调。我们的方法显着超过了NOCS数据集上的所有基准，对于6D姿势估计，MAP的绝对改进为8％。项目页面：https：//zubair-irshad.github.io/projects/shapo.html

6D对象姿势估计是计算机视觉和机器人研究中的基本问题之一。尽管最近在同一类别内将姿势估计概括为新的对象实例（即类别级别的6D姿势估计）方面已做出了许多努力，但考虑到有限的带注释数据，它仍然在受限的环境中受到限制。在本文中，我们收集了Wild6D，这是一种具有不同实例和背景的新的未标记的RGBD对象视频数据集。我们利用这些数据在野外概括了类别级别的6D对象姿势效果，并通过半监督学习。我们提出了一个新模型，称为呈现姿势估计网络reponet，该模型使用带有合成数据的自由地面真实性共同训练，以及在现实世界数据上具有轮廓匹配的目标函数。在不使用实际数据上的任何3D注释的情况下，我们的方法优于先前数据集上的最先进方法，而我们的WILD6D测试集（带有手动注释进行评估）则优于较大的边距。带有WILD6D数据的项目页面：https：//oasisyang.github.io/semi-pose。

我们介绍了Amazon Berkeley对象（ABO），这是一个新的大型数据集，旨在帮助弥合真实和虚拟3D世界之间的差距。ABO包含产品目录图像，元数据和艺术家创建的3D模型，具有复杂的几何形状和与真实的家用物体相对应的物理基础材料。我们得出了具有挑战性的基准，这些基准利用ABO的独特属性，并测量最先进的对象在三个开放问题上的最新限制，以了解实际3D对象：单视3D 3D重建，材料估计和跨域多视图对象检索。

Humans constantly interact with objects in daily life tasks. Capturing such processes and subsequently conducting visual inferences from a fixed viewpoint suffers from occlusions, shape and texture ambiguities, motions, etc. To mitigate the problem, it is essential to build a training dataset that captures free-viewpoint interactions. We construct a dense multi-view dome to acquire a complex human object interaction dataset, named HODome, that consists of $\sim$75M frames on 10 subjects interacting with 23 objects. To process the HODome dataset, we develop NeuralDome, a layer-wise neural processing pipeline tailored for multi-view video inputs to conduct accurate tracking, geometry reconstruction and free-view rendering, for both human subjects and objects. Extensive experiments on the HODome dataset demonstrate the effectiveness of NeuralDome on a variety of inference, modeling, and rendering tasks. Both the dataset and the NeuralDome tools will be disseminated to the community for further development.

We introduce an approach for recovering the 6D pose of multiple known objects in a scene captured by a set of input images with unknown camera viewpoints. First, we present a single-view single-object 6D pose estimation method, which we use to generate 6D object pose hypotheses. Second, we develop a robust method for matching individual 6D object pose hypotheses across different input images in order to jointly estimate camera viewpoints and 6D poses of all objects in a single consistent scene. Our approach explicitly handles object symmetries, does not require depth measurements, is robust to missing or incorrect object hypotheses, and automatically recovers the number of objects in the scene. Third, we develop a method for global scene refinement given multiple object hypotheses and their correspondences across views. This is achieved by solving an object-level bundle adjustment problem that refines the poses of cameras and objects to minimize the reprojection error in all views. We demonstrate that the proposed method, dubbed Cosy-Pose, outperforms current state-of-the-art results for single-view and multi-view 6D object pose estimation by a large margin on two challenging benchmarks: the YCB-Video and T-LESS datasets. Code and pre-trained models are available on the project webpage. 5

透明的物体在家庭环境中无处不在，并且对视觉传感和感知系统构成了不同的挑战。透明物体的光学特性使常规的3D传感器仅对物体深度和姿势估计不可靠。这些挑战是由重点关注现实世界中透明对象的大规模RGB深度数据集突出了这些挑战。在这项工作中，我们为名为ClearPose的大规模现实世界RGB深度透明对象数据集提供了一个用于分割，场景级深度完成和以对象为中心的姿势估计任务的基准数据集。 ClearPose数据集包含超过350K标记的现实世界RGB深度框架和5M实例注释，涵盖了63个家用对象。该数据集包括在各种照明和遮挡条件下在日常生活中常用的对象类别，以及具有挑战性的测试场景，例如不透明或半透明物体的遮挡病例，非平面取向，液体的存在等。 - 艺术深度完成和对象构成清晰度上的深神经网络。数据集和基准源代码可在https://github.com/opipari/clearpose上获得。

Camera pose estimation is a key step in standard 3D reconstruction pipelines that operate on a dense set of images of a single object or scene. However, methods for pose estimation often fail when only a few images are available because they rely on the ability to robustly identify and match visual features between image pairs. While these methods can work robustly with dense camera views, capturing a large set of images can be time-consuming or impractical. We propose SparsePose for recovering accurate camera poses given a sparse set of wide-baseline images (fewer than 10). The method learns to regress initial camera poses and then iteratively refine them after training on a large-scale dataset of objects (Co3D: Common Objects in 3D). SparsePose significantly outperforms conventional and learning-based baselines in recovering accurate camera rotations and translations. We also demonstrate our pipeline for high-fidelity 3D reconstruction using only 5-9 images of an object.

We present HARP (HAnd Reconstruction and Personalization), a personalized hand avatar creation approach that takes a short monocular RGB video of a human hand as input and reconstructs a faithful hand avatar exhibiting a high-fidelity appearance and geometry. In contrast to the major trend of neural implicit representations, HARP models a hand with a mesh-based parametric hand model, a vertex displacement map, a normal map, and an albedo without any neural components. As validated by our experiments, the explicit nature of our representation enables a truly scalable, robust, and efficient approach to hand avatar creation. HARP is optimized via gradient descent from a short sequence captured by a hand-held mobile phone and can be directly used in AR/VR applications with real-time rendering capability. To enable this, we carefully design and implement a shadow-aware differentiable rendering scheme that is robust to high degree articulations and self-shadowing regularly present in hand motion sequences, as well as challenging lighting conditions. It also generalizes to unseen poses and novel viewpoints, producing photo-realistic renderings of hand animations performing highly-articulated motions. Furthermore, the learned HARP representation can be used for improving 3D hand pose estimation quality in challenging viewpoints. The key advantages of HARP are validated by the in-depth analyses on appearance reconstruction, novel-view and novel pose synthesis, and 3D hand pose refinement. It is an AR/VR-ready personalized hand representation that shows superior fidelity and scalability.

The goal of this paper is to estimate the 6D pose and dimensions of unseen object instances in an RGB-D image. Contrary to "instance-level" 6D pose estimation tasks, our problem assumes that no exact object CAD models are available during either training or testing time. To handle different and unseen object instances in a given category, we introduce Normalized Object Coordinate Space (NOCS)-a shared canonical representation for all possible object instances within a category. Our region-based neural network is then trained to directly infer the correspondence from observed pixels to this shared object representation (NOCS) along with other object information such as class label and instance mask. These predictions can be combined with the depth map to jointly estimate the metric 6D pose and dimensions of multiple objects in a cluttered scene. To train our network, we present a new contextaware technique to generate large amounts of fully annotated mixed reality data. To further improve our model and evaluate its performance on real data, we also provide a fully annotated real-world dataset with large environment and instance variation. Extensive experiments demonstrate that the proposed method is able to robustly estimate the pose and size of unseen object instances in real environments while also achieving state-of-the-art performance on standard 6D pose estimation benchmarks.

This paper presents an approach that reconstructs a hand-held object from a monocular video. In contrast to many recent methods that directly predict object geometry by a trained network, the proposed approach does not require any learned prior about the object and is able to recover more accurate and detailed object geometry. The key idea is that the hand motion naturally provides multiple views of the object and the motion can be reliably estimated by a hand pose tracker. Then, the object geometry can be recovered by solving a multi-view reconstruction problem. We devise an implicit neural representation-based method to solve the reconstruction problem and address the issues of imprecise hand pose estimation, relative hand-object motion, and insufficient geometry optimization for small objects. We also provide a newly collected dataset with 3D ground truth to validate the proposed approach.

人类对象与铰接物体的相互作用在日常生活中很普遍。尽管单视图3D重建方面取得了很多进展，但从RGB视频中推断出一个铰接的3D对象模型仍然具有挑战性，显示一个人操纵对象的人。我们从RGB视频中划定了铰接的3D人体对象相互作用重建的任务，并对这项任务进行了五个方法家族的系统基准：3D平面估计，3D Cuboid估计，CAD模型拟合，隐式现场拟合以及自由 - 自由 - 形式网状配件。我们的实验表明，即使提供了有关观察到的对象的地面真相信息，所有方法也难以获得高精度结果。我们确定使任务具有挑战性的关键因素，并为这项具有挑战性的3D计算机视觉任务提出指示。短视频摘要https://www.youtube.com/watch?v=5talkbojzwc

Estimating the 6D pose of objects is one of the major fields in 3D computer vision. Since the promising outcomes from instance-level pose estimation, the research trends are heading towards category-level pose estimation for more practical application scenarios. However, unlike well-established instance-level pose datasets, available category-level datasets lack annotation quality and provided pose quantity. We propose the new category level 6D pose dataset HouseCat6D featuring 1) Multi-modality of Polarimetric RGB+P and Depth, 2) Highly diverse 194 objects of 10 household object categories including 2 photometrically challenging categories, 3) High-quality pose annotation with an error range of only 1.35 mm to 1.74 mm, 4) 41 large scale scenes with extensive viewpoint coverage, 5) Checkerboard-free environment throughout the entire scene. We also provide benchmark results of state-of-the-art category-level pose estimation networks.

What is a rose, visually? A rose comprises its intrinsics, including the distribution of geometry, texture, and material specific to its object category. With knowledge of these intrinsic properties, we may render roses of different sizes and shapes, in different poses, and under different lighting conditions. In this work, we build a generative model that learns to capture such object intrinsics from a single image, such as a photo of a bouquet. Such an image includes multiple instances of an object type. These instances all share the same intrinsics, but appear different due to a combination of variance within these intrinsics and differences in extrinsic factors, such as pose and illumination. Experiments show that our model successfully learns object intrinsics (distribution of geometry, texture, and material) for a wide range of objects, each from a single Internet image. Our method achieves superior results on multiple downstream tasks, including intrinsic image decomposition, shape and image generation, view synthesis, and relighting.

We introduce ViewNeRF, a Neural Radiance Field-based viewpoint estimation method that learns to predict category-level viewpoints directly from images during training. While NeRF is usually trained with ground-truth camera poses, multiple extensions have been proposed to reduce the need for this expensive supervision. Nonetheless, most of these methods still struggle in complex settings with large camera movements, and are restricted to single scenes, i.e. they cannot be trained on a collection of scenes depicting the same object category. To address these issues, our method uses an analysis by synthesis approach, combining a conditional NeRF with a viewpoint predictor and a scene encoder in order to produce self-supervised reconstructions for whole object categories. Rather than focusing on high fidelity reconstruction, we target efficient and accurate viewpoint prediction in complex scenarios, e.g. 360{\deg} rotation on real data. Our model shows competitive results on synthetic and real datasets, both for single scenes and multi-instance collections.

在这项工作中，我们探索在野外重建手对象交互。这个问题的核心挑战是缺乏适当的3D标记数据。为了克服这个问题，我们提出了一种基于优化的程序，该过程不需要直接的3D监督。我们采用的一般策略是利用所有可用的相关数据（2D边界框，2D手键盘，2D实例掩码，3D对象模型，实验室Mocap）为3D重建提供约束。我们不是单独优化手和对象，我们共同优化它们，这使我们能够基于手动对象触点，碰撞和遮挡来施加额外的约束。我们的方法在史诗厨房和100天的手中数据集中产生令人信服的重建，跨越一系列对象类别。定量地，我们证明我们的方法对现有的实验室设置中的现有方法有利地进行了比较，其中地面真理3D注释提供。

我们向渲染和时间（4D）重建人类的渲染和时间（4D）重建的神经辐射场，通过稀疏的摄像机捕获或甚至来自单眼视频。我们的方法将思想与神经场景表示，新颖的综合合成和隐式统计几何人称的人类表示相结合，耦合使用新颖的损失功能。在先前使用符号距离功能表示的结构化隐式人体模型，而不是使用统一的占用率来学习具有统一占用的光域字段。这使我们能够从稀疏视图中稳健地融合信息，并概括超出在训练中观察到的姿势或视图。此外，我们应用几何限制以共同学习观察到的主题的结构 - 包括身体和衣服 - 并将辐射场正规化为几何合理的解决方案。在多个数据集上的广泛实验证明了我们方法的稳健性和准确性，其概括能力显着超出了一系列的姿势和视图，以及超出所观察到的形状的统计外推。

最近的工作取得了令人印象深刻的进展，从单眼颜色图像中联合重建手和操纵物体。现有的方法着重于两个替代表示，以参数网格或签名的距离字段（SDF）。一方面，参数模型可以以有限的形状变形和网格分辨率的成本从先验知识中受益。因此，网格模型可能无法精确地重建细节，例如手和物体的接触表面。另一方面，基于SDF的方法可以代表任意细节，但缺乏明确的先验。在这项工作中，我们旨在使用参数表示提供的PRIOR来改善SDF模型。特别是，我们提出了一个联合学习框架，该框架可以解散姿势和形状。我们从参数模型中获取手和对象摆姿势，并使用它们在3D空间中对齐SDF。我们表明，这种对齐的SDF可以更好地专注于重建形状细节，并提高手和物体的重建精度。我们评估了我们的方法，并在挑战性的OBMAN和DEXYCB基准方面证明了对最新技术的显着改善。